I'm a writer and media inventor in San Francisco;
I believe that story, language, design and code all work together, and I like to work on all of ‘em.
This is where I share notes, ideas & works in progress—just about every day!
Right now at this very moment, in a secret section of this very website, Annabel Scheme backers are voting to allocate the $1000 remix fund. I’m watching the votes stream live into a Google Docs spreadsheet. I cannot tear myself away!
And here is the part of the modern media ritual where the blogger offers a few small for-the-records:
To say “Sloan didn’t have high hopes when he posted to Kickstarter” isn’t exactly right; it seems to pin the doubt on Kickstarter. Rather, that first night, after I had posted the project but before I’d fallen fitfully to sleep, I had hopes—I just wasn’t sure they’d amount to anything!
Christine writes that my inspiration was “seeing [my] friend Web entrepreneur Andy Baio post a project on Kickstarter” and this is 100% correct, except that I don’t want Andy to think I am claiming him as a friend—“Wait, who?”—so let’s be clear: He is merely my nerd guru.
Finally, here is the picture from the paper, for your locker. I feel that I look somewhat Gollum-like here—
—but that’s my fault, not photojournalist Jana Asenbrennerova’s.
As of this writing, there are 33 hours left to get in on my Kickstarter project if you haven’t already. Here’s my latest post, where I talk about finishing the text, share a glimpse of the edited manuscript, and say thanks.
Which is not to say book complete. Or even text complete. Mostly it just means I have a coherent brick of paper I can give to people. Which I did, tonight, in tidy little golden envelopes.
Not so much a book trailer as an animated book cover… and a love letter to my Kickstarter backers. (And you can see it even bigger on YouTube.)
I said this over on Kickstarter, too, but for those of you discovering it here first: As you watch it, imagine some future e-book with this animation literally built into the cover, writhing on your bookshelf. I want that.
The soundtrack is Demonic With Horns by Boy Eats Drum Machine, a.k.a. Jon Ragel, who “spins breaks and surgically inserts sounds while juggling vocals, percussion, and saxophone” and is one of my current favorites. Another of his tracks, Ross Island—free to download—has been in heavy rotation during the whole writing process. Here he is on Amazon MP3. Thanks, BEDM!
Nerd note: after the rush of this book is over, I need to change the way I do Processing projects. Right now it’s totally strung-together, totally dependent on weird system-specific file-paths and variables, which makes it basically impossible to share the code. And I would like to share it! So that’s on the to-do list.
I’m not just writing the words for my book; I’m doing the illustrations, too. So I thought I’d walk you through the process. This is the most recent one, which I did on Saturday afternoon.
Quick background: San Francisco’s Sutro Tower is already pretty extraordinarily spooky, so it’s not much of a stretch to think it might play a small-but-important role in a story about the digital and the occult.
Like a lot of things in my fictional San Francisco, it’s recognizable but… off. It has a different name. And it looks a bit different—so I thought it would be a fun thing to illustrate.
Here’s how I went from head to page. (Fair warning: this is a very tall post, with lots of images, so get ready to scroll.)
New Kickstarter update in which I visit a local printer and am simultaneously disappointed and emboldened.
Full disclosure: Between my Kickstarter update “blog” and Snarkmarket, I continue to be unsure what do w/ robinsloan.com here. Posting will pick up soon, though. Thanks for subscribing and/or clicking over—I’m glad to have you around and your attention will be better-rewarded soon.
In this book, I’m trying to craft a central character with some of that same iconic strangeness that makes Sherlock Holmes so appealing. There’s a lot that goes into that, but for now, focus on the name. Sherlock Holmes. It leaves an indelible mark on the brain.
So, I have a name in mind for this character, and I was looking for a meaningful way to test it out—without giving it away.
Here’s the core of it: I’m going to take the techno-spooky vibe of Mr. Penumbra’s San Francisco and deepen it—darken it—build it out into something bigger and better.
I have to say, building this project has been an opportunity to explore Kickstarter more deeply, and wow: I am so impressed. It’s seriously becoming a database of dreams. I’m particularly taken with the projects put forth by people who clearly aren’t hard-core web self-promoters. They tend to be sort of tentative: “Er, hello? Anybody out there?”
I’m telling you: Find one of those projects, drop a dollar or five in the bucket, and you will have made somebody’s day—week—month—life.
Twitter, where I work on media partnerships, helping organizations large and small do interesting, useful things with tweets.
Snarkmarket, the blog where I jam with Tim Carmody and Matt Thompson about media, journalism, culture, technology, cities, design, books, music, movies, the future & the past.
Current, the cable & satellite TV network and website co-founded by Al Gore and Joel Hyatt where I worked as a strategist and web generalist.
Poynter, the journalism school & think tank where I worked as a reporter & producer.